The Snowman
Taking my seat with the real audience, my two grandchildren, the excitement in the auditorium was palpable. It doesn’t disappoint
Taking my seat with the real audience, my two grandchildren, the excitement in the auditorium was palpable. It doesn’t disappoint
A collage of recollected impressions and sensations, and to a lesser extent emotions, of the refugee experience
A joyful two hours. Light, entertaining and wonderfully optimistic. And sometimes, that’s precisely what’s needed
Artistic director and choreographer Cheng Tsung-lung talks about Lunar Halo, in which dancers become symbols of struggles, desires, hope, love
Beautifully re-mastered, Powell and Pressburger’s The Red Shoes has lost nothing of its power after 75 years. If anything it has gained it.
Bourne manages to pull off the tricky challenge of being faithful to the original while giving his production an inner life all of its own
José Martínez has given the ballet a make-over. With the important dance intact but the libretto trimmed, it is destined to become a new favourite.
A long-overdue look at an underrated and perhaps now largely forgotten principal dancer.
The exhibition… certainly whets the appetite for the forthcoming screening of the re-mastered film. What it lacks in quantity, it makes up for in quality
A mesmerising piece from the dark realm of dreams inhabited by genderless creatures and a drag-queen in black sequins and a towering tiara
The dancers are talented and committed. They bring to the stage control and technique that contrasts starkly with the chaos the piece portrays.