Alexander Whitley Dance Company: Overflow
Hazy, dark, bleak, yet in many ways, beautiful. Relentless in all senses, including in the quality and precision of the five superb dancers
Hazy, dark, bleak, yet in many ways, beautiful. Relentless in all senses, including in the quality and precision of the five superb dancers
If Cinderella was a little short on classical steps, Snow Maiden certainly made up for it.
The movement vocabulary is a mix of contemporary with a heavy flavour of tai-chi. The graphics twist and twirl, as does the dancer
A traditional spin on the well-known story and, although it takes a while to get going, the ballet makes a pleasant and sometimes interesting evening
Highlight was Elena Svinko’s quite outstanding Odette/Odile. Framed by the severe faces of her swans, she was a shining jewel and quite sublime
Superb designs and a revitalised company on top form. Technical fireworks and top-notch light comedy that will delight all. A winner all-round.
Whether the expressionism of Marco Goecke, modern classicism of Hans van Manen, or quirkiness of John Inger, they make dance come truly alive
There are moments that are quite brilliant… funny, tender, dramatic. The show does zip by. But I suspect will delight and frustrate in equal measure
The intimacy of the eccentric Coronet Theatre suited this company of six dancers from Singapore and its programme well
Although human, there is an animalistic element to much of the choreography, which has a primitive feel to it.
It remains an unparalleled piece exploring relationships between the sexes…full of ideas and observations that have not lost their brilliance.