S-E-D/Sharon Eyal: Into the Hairy
Eyal’s Into the Hairy for her company, S-E-D, depicts a strange world, one whose inhabitants are disconcertingly humanoid, but not quite human
Eyal’s Into the Hairy for her company, S-E-D, depicts a strange world, one whose inhabitants are disconcertingly humanoid, but not quite human
The autumn matinee of the Ballett-Akademie der Hochschule für Musik und Theater München (Akademie) and Bayerisches Junior Ballett München (BJBM)
High-tech projectors pulse like a digital nervous system. This is choreographer Wayne McGregor’s rabbit hole, his twenty-first-century Alice in Wonderland.
A super programme, the highlight being the return of Jo Strømgren’s The Exhibition, a tale of the accidental meeting of two people in a gallery
The programme promises ‘dance theatre.’ What unfolds is closer to an ecological fever dream.
The whole work is a feast of mobile bodies, the inventive movement sometimes jagged and sharp, sometimes wonderfully fluid.
The true subject of Infinite Bodies is not technology but seeing itself. AI is not only creating art; it is learning to see
A definite must-see, jam packed with significance and meaning which is often sadly lacking in many other ultra-abstract performances.
Amina Khayyam looks at how women impose thoughts of what is ‘correct’ on other women and perpetuate patriarchal cultural expectations
Dada Masilo’s Salomé lasts just thirty minutes but everything is here… Desire, power and passion are everywhere. The stage is full of sexual tension.
Radlett Centre, Radlett, HertfordshireOctober 28, 2025 It seems to be said every year, but Christmas really does seem to come earlier and earlier. This year’s first sighting of the festive ballet favourite that is The Nutcracker came at the neatly-appointed 300-seat Radlett Centre in Hertfordshire in the shape of a brand-new production from New English … Read more