Alina Cojocaru presents La Strada
La Strada really lights up when Kobborg and Cojocaru come together. She doesn’t just smile her way through their duet, she radiates happiness
La Strada really lights up when Kobborg and Cojocaru come together. She doesn’t just smile her way through their duet, she radiates happiness
The bored middle-class housewife is raised to literary heights by the novel’s rich romantic language and Spuck follows suit in high choreographic art
The work flips easily between physical theatre and playful contemporary dance, at its best in unison sequences that are invariably tightly performed
Period melodrama brought to vivid life. Love, jealousy, criminality, sexual abuse, murder… And Francesca Hayward was near perfect in the title role
The creases of individuality have not been ironed smooth… delightfully unpolished in its finer details, and yet musically and choreographically tight.
Reid Anderson has brought a freshness to the Staatsballett performance and its strong characters as they journey through complicated emotions
Ahead of the premieres of his new works for Ballett Zürich and The Royal Ballet, Maggie Foyer looks at the work of the South African choreographer.
The new Les Noces choreography, very much collaborative, embodies Stravinsky’s music absolutely. There’s a powerful sense of direction of travel.
A pleasure to watch in every respect: the dancing is a joy, and the costumes and sets some of the best around.
Daniela Dimova talks about Varna International Ballet’s Swan Lake, now touring, that restores the score and dramaturgy to Tchaikovsky’s original.
Cojocaru recalls being particularly attracted by Gelsomina’s way of thinking. “Her way of being, of seeing the world… so naive, innocent and simple…”