A meditation on humanity: The Royal Ballet in Crystal Pite’s Light of Passage
It looks insanely beautiful. Pite’s choreography ebbs and flows again and again as it sweeps across the stage to Górecki’s evocative music
It looks insanely beautiful. Pite’s choreography ebbs and flows again and again as it sweeps across the stage to Górecki’s evocative music
Curtain Up! packs a lot into its 40 pages… a super insight for young people (and possibly their grown-ups) into the world of ballet and opera.
It was a super afternoon, but you really do have to pinch yourself to remind yourself that they are all still in their late-teens
Linbury Theatre, Royal Opera House, LondonJune 20, 2022 Maggie Foyer In an atmosphere of celebration, enthusiasm and commitment, the students of Rambert School took to the Linbury stage (as part of the Next Generation Festival) in a programme dedicated to Lord John Sainsbury who, with his wife Anya, has given such sterling support to the … Read more
The company look in fine fettle. It was an evening that ran from emotionally intense and thoughtful to fizzling like the best English sparkling wine
Graham’s Lamentation, MacMillan’s Sea of Troubles, and new works by Robert Cohan and Yolande Yorke-Edgell in a fascinating programme.
Ballet Black continues to lead the pack with two quality, new commissions, very different in style but balancing neatly.
A fine afternoon’s dancing, this year mostly by the Upper School, highlighted by Elite Syncopations
Rambert School Principal and Artistic Director Amanda Britton spoke for all when she said how happy everyone was to be back performing live
A remarkable performance by Edward Watson