Cathy Marston opens her Ballett Zürich directorship with Walkways
In each ballet, the dancers literal cross from one side of the stage to the other, but their pathways also cross and open new beginnings.
In each ballet, the dancers literal cross from one side of the stage to the other, but their pathways also cross and open new beginnings.
It maybe a work of mathematical abstraction, but it’s one where dance and music truly come together as one… A fascinating watch
The drummers coalesce into a pulsating oneness of movement, dance, and drumming. The pounding rhythm gets inside you and sweeps you along
Directed by Christopher Marney, it will return to the stage in summer 2024, touring across the UK, including a week at Sadler’s Wells that autumn.
David Dawson’s Metamorphosis 1… as hypnotic as the music, following it in building in intensity and complexity.
Part of the Black British Ballet project, a ballet that seeks to explore the lives and stories of the Windrush Generation and their families
Its weird, dream-like story and imaginative set… explode with colour; and it offers multiple roles to show off dancers.
Kristen McNally’s light touch choreography fits perfectly. Nestling beautifully with the text, it’s sometimes playful, occasionally spiky, always colloquial.
The Cellist: a fine piece of dance drama, and a fitting memoir of a brilliant and popular musician whose career and life were so tragically cut short.
Genesis Dance Project features six choreographies to tracks by the iconic band. David Mead talks to Ruth Brill, one of the choreographers.
A look at ‘John Cranko: Tanzvisionär’ a new book of interviews with people associated with Cranko; and the 2nd edition of Ashley Killar’s biography