An evening of many colours: Badisches Staatsballett’s International Benefit Gala
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
Perhaps it’s best not to overthink it and rather just sit back and enjoy the fine dancing and the many nuances in the work’s sometimes strange imagery
The dancers are outstanding. Their coherence was stunning, creating visual effects by moving as a group, shaping and reshaping
A very special evening at Sadler’s Wells as nine youth dance companies from all over England came together in an initiative to celebrate creativity
It may be abstract in the sense of being non-narrative… but Dawson’s choreography and the company’s dancing reached inside and touched the soul
The third year’s classical work was Les Patineurs (1937), and then Pina Bausch’s Tannhăuser Bacchanal (1972), a fascinating piece of dance history
The varied programme of mostly excerpts from longer pieces delighted the enthusiastic audience on a summery Sunday evening
This performance of Patrice Bart’s Giselle was special in that it saw Ksenia Ovsyanick dance the lead role for the last time
Excellent dancing, good choreography, efficient storytelling. And specially commissioned music. All rather impressive for a first outing by Ballet MAR
The standard was uniformly high although, as in the past couple of years, it was the men, who got two pieces all to themselves, who thrilled
Forget any preconceptions you might have about ‘children’s ballet’… a stunningly professional show… a super evening’s entertainment.