Paper play: Club Origami
Takeshi Matsumoto’s interactive and immersive dance show for the under-5s and their grown-ups that puts the emphasis on creativity through play
Reviews
An intimate delve into Soho’s underbelly: Matthew Bourne’s The Midnight Bell
The world of showbiz falls away and the dancers present the fragmented tales that lurk in Soho’s underbelly
Birmingham Royal Ballet: Romeo and Juliet
With Momoko Horata and César Morales. BRB did the ballet proud, dancing finely and making the spine tingle in all the right places.
Singapore Dance Theatre returns with Masterpiece in Motion
Poignant reminders of dance’s ability to create universes with earthly moorings but lined with stardust
The Place Korean Season: Company SIGA
A double bill of works startlingly new, meticulously structured given in performances that were exhausting, amazing and entertaining
Witty, candid, sobering: Georgina Pazcoguin’s Swan Dive
Pazcoguin writes with eviscerating directness and a fiendish sense of humour that perhaps offers a certain distance from the darkness of her material
At one with its site: Shobana Jeyasingh’s TooMortal returns
Six dancers in bright red rise out of a sea of pews, folding backwards: a bird’s eye view of six women sleeping
A dancer, impresario and femme fatale remembers: Ida Rubinstein – The Final Act
Fraud, femme fatale or fallen star? In many ways, dancer and impresario Ida Rubinstein was all three as Christian Holder’s play confirms
Colour and action aplenty in Northern Ballet’s new Merlin
Magical special effects, super designs, and a dragon everyone will love. Following the story is a little tricky though
Jeffrey Cirio mesmerises in Akram Khan’s dark and chilling Creature for English National Ballet
Pathetic one minute, powerful and determined the next, his Creature is a tortured soul, but one still with feelings
Dark days, inner voices and coming through: Nobody by Motionhouse
With its digital imagery, shape-shifting set and athletic, highly physical choreography, Nobody is spectacular