Ballet Preljocaj in a Swan Lake with a message
There are changes but… there are swans. There is a lake. There is an Odette in white, and a Siegfried who falls for an Odile in black.
There are changes but… there are swans. There is a lake. There is an Odette in white, and a Siegfried who falls for an Odile in black.
Absolutely and unashamedly classically-focused. Even the student choreography. The contemporary pieces were clearly classically underwritten too
An enjoyable and interesting evening with the focus on duets and the more contemporary end of the spectrum, and only one firework pas de deux.
While Sophie Martin is a commanding presence as Elizabeth, albeit someone aloof and alone… it is Bridgett Zehr as Mary who stalks every scene
Sleek, slinky and smooth, sophisticated yet playful, Stina Quagebeur’s Deviations feels like peeking in on an easy going jazz club.
Right from its premiere in 1913, ‘Sacre’ has broken with tradition, challenging listeners and viewers, often very successfully. And it does here too
It demands precision. It demands total commitment. And it got all three in full from Gauthier Dance. The beat never stops, and neither do they.
Glen Tetley’s Voluntaries is intensely moving. The dance soars literally, in its cruciform overhead lifts, and in its spirituality.
“Very much rooted in the actuality of people as human beings… a journey… through the development of identity and who we are.
Onegin… thoughtful, restless, troubled, austere. A sense of deep solitude and… incapacity to open up emotionally accompanies him throughout
Soft touches ignite new phrases as the dancers look at each other, vigilant of every single movement.