John Cranko School and Stuttgart Ballet: Aktion Weinachten
With all ticket proceeds from which go to the charity, this year’s edition of established favourites and new work was a festive feast of fine dance
With all ticket proceeds from which go to the charity, this year’s edition of established favourites and new work was a festive feast of fine dance
Dance at its very best. A fabulous, fabulous seventy minutes of marvellous theatre. A real spectacle that holds you from start to finish
The highlight of the evening was Vittoria Girelli’s Sospesi, an effective visualisation of ideas and coming together of music and movement
A hugely enjoyable interpretation told with lots of imagination. A convincing telling that sends you away with a big, happy smile
A fine showcase of young talent including Heinz Bosl Prize winner Serhii Zharikov with Kaela Tapper in Uwe Scholz’s sublime Sonata
Silent Screen and Schmetterling sit together comfortably, sharing Lightfoot and Léon’s distinct movement vocabulary and strong sense of theatricality
Dedicated to a dear departed friend, the work developed out of the loss and dismay he went through after her death
Prelocaj deals with love and attraction, sexual desire and seduction. It’s very much a ballet of suggestion, of desire that’s only realised in Act III
A participatory family-friendly piece where the spectators became protagonists themselves, each performance thus being unique.
José Martínez has given the ballet a make-over. With the important dance intact but the libretto trimmed, it is destined to become a new favourite.
A mesmerising piece from the dark realm of dreams inhabited by genderless creatures and a drag-queen in black sequins and a towering tiara