High altitude: Compagnie de Chaillot in Rachid Ouramdane’s Corps extrêmes
Something special and quite unique. It’s not so much what the performers do, as remarkable as that is, but how they do it; the ease, grace…
Asia Pages/亞洲頁
Focus Dance Company: Tempestuous
A rich and diverse programme of one masterwork, one popular revival and eight new student works… All were superbly danced.
Modernity, tradition, identity, society in a Taipei triple-bill
Nameless Practice by Chien Lin-yi (簡麟懿): “Brim-full of ideas and fabulous images… a really terrific piece that holds the attention from start to finish”
Dance, installation, music, protest, affirmation: Bintou Dembélé’s G.R.O.O.V.E.
An evening of visual and emotional power, and of fireworks, that I have not seen the like of previously at the National Theater
A journey of self-discovery: Islands by Shimmering Production
A compelling exploration that sees two dancers explore the cultural essence of their bodies as they seek to answer the questions, ‘Who am I?’ and ‘Who are we?’
Youth Ballet Ensemble Taiwan x BAOTanz
The young dancers of YBET were sadly nowhere to be seen in a double bill that was, in fact, a showcase for four of Taiwan’s established artists.
A weekend of all that’s good about dance at Taipei’s Want to Dance Festival
The festival guarantees surprise, delight, frustration and more as established choreographers and dancers rub shoulders with those still emerging
Toru Shimazaki’s Shattered Moon shines in the University of Taipei’s annual performance
“Not only the highlight of the programme, but one of the best works I’ve ever seen in a Taiwanese vocational school show. And I’ve seen a lot.”
TAI Body Theatre: Sym-Body
Can indigenous dance presented on stage ever be called ‘authentic’? A question posed by TAI Body Theatre’s Sym-Body
Tussock Dance Theater: Eclipse by Wu Chien-wei
As music and dance intertwine, each it seems feeding off the other, feelings and emotions are writ large. Everything is given time to play out.
Hwa Gang Dance Troupe: Twilight Whispers
In South, Toru Shimazaki draws on elements of aboriginal dance and music, giving them a contemporary sentiment, but never loses sight of their soul.