David Mead - SeeingDance

A theatrical treat stretching across time: Mourad Merzouki’s Folia

July 5, 2019 by David Mead

Magical connections

Impressive and frustrating in equal measure: Bryan Arias’ Watch

July 4, 2019July 3, 2019 by David Mead

Strong ideas

The pain of living together laid bare in Stephen Shropshire’s We Are Nowhere Else But Here

July 2, 2019 by David Mead

Deeply felt. Personal. Raw.

Gravity & Gibbon: Motionhouse and Gandini Juggling

June 23, 2026July 2, 2019 by David Mead

A wonderfully entertaining double bill

David Bintley’s Birmingham farewell

June 23, 2026June 25, 2019 by David Mead

Saying goodbye with the most English of ballets

Dutch National Ballet in Forsythe, Van Manen and Arqués

June 25, 2019June 24, 2019 by David Mead

A programme of contrasting styles

Into the darkest recesses of the mind: Natalia Osipova in The Mother

June 23, 2026June 22, 2019 by David Mead

Utterly compelling

A sparkling David Bintley classic: Birmingham Royal Ballet in Hobson’s Choice

June 23, 2026June 20, 2019 by David Mead

A very English ballet

Feeling their pain: Lost Dog’s Juliet & Romeo

June 23, 2026June 19, 2019 by David Mead

Dance theatre at its very best

Taut drama: Ballet Black in The Suit and Ingoma

June 23, 2026June 18, 2019 by David Mead

Sayaka Ichikawa compelling as Matilda

Didy Veldman’s Sense of Time shakes up Birmingham Royal Ballet

June 23, 2026June 14, 2019 by David Mead

Modern, innovative