David Mead - SeeingDance

Exchange: Cloud Gate Dance Theatre meets TAO Dance Theater as Lin Hwai-min bows out

October 25, 2019October 21, 2019 by David Mead

Autumn River: delicate and nuanced

Capital Ballet Taipei in Variations on a Rococo Theme

October 19, 2019 by David Mead

A show of two very different halves

Beer, a pounding beat and barrel loads of energy: Frédérick Gravel’s Some Hope for the Bastards

October 16, 2019 by David Mead

Intensely precise. Relentless

New dance in Taipei: ‘Micro Dance’ by Tien Hsiao-tzu, Cheng Hao, Su Pin-wen

October 17, 2019October 16, 2019 by David Mead

Concept very much to the fore

Out for revenge: Dada Masilo’s Giselle

June 23, 2026October 7, 2019 by David Mead

This Giselle does not forgive

A ballet of endless questioning: Shakespeare Sonnets by Hamburg Ballet

July 2, 2026October 7, 2019 by David Mead

Searching out complex emotions

Captivating: Ballet Preljocaj in La Fresque

June 23, 2026October 5, 2019 by David Mead

A journey into a parallel world

Saying goodbye: Richard Alston’s Final Edition

June 23, 2026October 4, 2019 by David Mead

An evening of mixed emotions

Solidly traditional: Birmingham Royal Ballet in Giselle

June 23, 2026September 30, 2019 by David Mead

Dark and gloomy

Marius Petipa: The Emperor’s Ballet Master

September 27, 2019 by David Mead

Depth of research is impressive

Northern Ballet’s colourful Russian Cinderella

June 23, 2026September 25, 2019 by David Mead

Colourful and entertaining