Hamburg Ballet’s Nijinsky Gala XLV: Song and Dance July 9, 2019 by David Mead Thoughtful depth and contrast
Beautiful art, beautifully danced: XieXin Dance Theater (謝欣舞蹈劇場) in From IN (一撇一捺) July 8, 2019 by David Mead Flowing elegance
A theatrical treat stretching across time: Mourad Merzouki’s Folia July 5, 2019 by David Mead Magical connections
Impressive and frustrating in equal measure: Bryan Arias’ Watch July 4, 2019July 3, 2019 by David Mead Strong ideas
The pain of living together laid bare in Stephen Shropshire’s We Are Nowhere Else But Here July 2, 2019 by David Mead Deeply felt. Personal. Raw.
Gravity & Gibbon: Motionhouse and Gandini Juggling July 2, 2019 by David Mead A wonderfully entertaining double bill
David Bintley’s Birmingham farewell June 25, 2019 by David Mead Saying goodbye with the most English of ballets
Dutch National Ballet in Forsythe, Van Manen and Arqués June 25, 2019June 24, 2019 by David Mead A programme of contrasting styles
Into the darkest recesses of the mind: Natalia Osipova in The Mother June 22, 2019June 22, 2019 by David Mead Utterly compelling
A sparkling David Bintley classic: Birmingham Royal Ballet in Hobson’s Choice June 25, 2019June 20, 2019 by David Mead A very English ballet
Feeling their pain: Lost Dog’s Juliet & Romeo June 19, 2019 by David Mead Dance theatre at its very best