David Mead
Looking back, looking forward with Rosie Kay’s new show, Absolute Solo II
“I just felt this little tiny itch growing in me”
Stuttgart Ballet: Beethoven-Ballets
Van Manen’s Adagio Hammerklavier and Grosse Fuge; Bigonzetti’s new Einssein
English National Ballet announces plans for 2021-2022 season
Includes premieres of Raymonda and Creature
Let’s Dance International Frontiers 2021 – Socially Engaged Art: Can Dance Change the World?
The online festival opens April 29
Kevin McKenzie to retire as Artistic Director of American Ballet Theatre
Stepping down after three decades
NDT2: Kylian and Goecke, Souls made apparent
Jiří Kylián’s 27’52” and Marco Goecke’s new The Big Crying
