Shape-shifting with a mind of its own: James Thierrée’s Room
When mime, movement and music come together, the results are wonderfully, but the spoken word does sometimes take away from the visuals
When mime, movement and music come together, the results are wonderfully, but the spoken word does sometimes take away from the visuals
Jess and Morgs’ Coppélia takes a big step away from the usual versions. It’s certainly different and it’s certainly relevant
A dance of hope and optimism, that ultimately finds hope and beauty even in the darkest of places
A conversation with Jasmin Vardimon about her new production, ALiCE, and a look at her company’s fabulous new creative hub in Ashford, Kent.
Curtain Up! packs a lot into its 40 pages… a super insight for young people (and possibly their grown-ups) into the world of ballet and opera.
The music is gorgeous, the set is fabulous, there’s romance and real, fully-fleshed out characters everywhere you look
Christopher Hampson talks about Scottish Ballet’s new Coppélia by Jess and Morgs that premieres at the Edinburgh International Festival
A fine programme that reflected well the dancers’ classical training, and the School and Stuttgart Ballet heritage
It was a super afternoon, but you really do have to pinch yourself to remind yourself that they are all still in their late-teens
Many of the seven pieces were deeply thoughtful and somewhat dark in tone; a reflection of the times and recent experiences, no doubt
The company look in fine fettle. It was an evening that ran from emotionally intense and thoughtful to fizzling like the best English sparkling wine