Badisches Staatsballett International Benefit Gala
An enjoyable and interesting evening with the focus on duets and the more contemporary end of the spectrum, and only one firework pas de deux.
An enjoyable and interesting evening with the focus on duets and the more contemporary end of the spectrum, and only one firework pas de deux.
While Sophie Martin is a commanding presence as Elizabeth, albeit someone aloof and alone… it is Bridgett Zehr as Mary who stalks every scene
Sleek, slinky and smooth, sophisticated yet playful, Stina Quagebeur’s Deviations feels like peeking in on an easy going jazz club.
Right from its premiere in 1913, ‘Sacre’ has broken with tradition, challenging listeners and viewers, often very successfully. And it does here too
It demands precision. It demands total commitment. And it got all three in full from Gauthier Dance. The beat never stops, and neither do they.
Glen Tetley’s Voluntaries is intensely moving. The dance soars literally, in its cruciform overhead lifts, and in its spirituality.
“Very much rooted in the actuality of people as human beings… a journey… through the development of identity and who we are.
The show is rammed with instantly hummable melodies. What dance too. The chorus-line, tap, ballroom and comedy numbers just keep giving.
“Touching and uplifting… An intimate, tender, beautifully drawn portrait of mother and son… It pictures a relationship that not only survives but thrives”
Six new pieces performed by the third-years, alongside two award-winning works by noted choreographers danced by the second-years.
An super evening with the high spots being the clownery and of Kylián’s Sechs Tänze and the classicism of Wheeldon’s Within the Golden Hour.