Gravity & Other Myths: Ten Thousand Hours
During the show itself, there’s a lot of smiling, irreverence and poking fun at each other. It almost feels like play. You just know they are having a good time
During the show itself, there’s a lot of smiling, irreverence and poking fun at each other. It almost feels like play. You just know they are having a good time
Here was dance of every shade… and all with not so much a smile on its face as a huge grin
Lines and patterns form, break and reform anew, Feet stomp arms whirl, torsos arc backwards… As the tension builds, the power of the group is tremendous
I can’t think of a single thing that I would want to change… The dancing, choreography and immersive visuals are all outstanding
Jeannette Andersen talks to Sol León and Paul Lightfoot about how they chose the other choreographers, how it is to create as a team…
Level up & M&M was one of these rare performances that made you dance all the way home. A
Carousel, Allegro, Oklahoma! A fine evening, full of variety, colour and wonderful dance; a couple of hours to put a smile on anyone’s face
The programme of four well-chosen works by director, José Martinez, showed a company of versatile young professionals.
A very interesting piece revealing two completely different worlds, a white slow moving one full of pain and a colorful fast moving one full of joy
The company presented four works with a reconstruction of Frederick Ashton’s early Foyer de Danse that held the most interest.
The festivities culminated on June 11 with Devil’s Kitchen, a world premiere by Marco Goecke and Oscar Schlemmer’s iconic Das Triadische Ballett