The Royal Ballet: Like Water for Chocolate
As entertainment, Like Water for Chocolate succeeds. It is a rich, magical, exotic tragedy. But in terms of substance, it remains at the surface.
As entertainment, Like Water for Chocolate succeeds. It is a rich, magical, exotic tragedy. But in terms of substance, it remains at the surface.
The ballet adheres to the traditional, leaving the surprises and delight in the quality of performance from the dancers.
Iain Mackay may have only recently become artistic director of the Royal Ballet School but, undaunted, has already upped the game by a large margin
The seventeen young dancers, including two who can’t be in their teens yet, all already hip-hop dancers of calibre… sweep the audience away
The programme of four well-chosen works by director, José Martinez, showed a company of versatile young professionals.
The company presented four works with a reconstruction of Frederick Ashton’s early Foyer de Danse that held the most interest.
Marco Goecke’s Blushing is a perfect vehicle for the energy and commitment that the company has in spades.
A well-curated programme that showcased the dancers’ skills well, culminating in Jerome Robbins’ American classic, Interplay
Not only a super demonstration of the range of his output, but the title encapsulates neatly his journey from classical ballet to musical theatre.
Watching new choreographers trying their hand… you realise what a supremely difficult art choreography is. But what joy when the elements align
World premieres by Wayne McGregor, Cathy Marston, Akram Khan, León-Lightfoot, and a first Royal Ballet presentation by NYCB’s Justin Peck