Teaċ Daṁsa in Michael Keegan-Dolan’s MÁM
It’s a gathering. At times, it has the joy of a ceilidh, but it also has a dark, mysterious edge, and is often quite disconcerting.
It’s a gathering. At times, it has the joy of a ceilidh, but it also has a dark, mysterious edge, and is often quite disconcerting.
This February and March, Michael Keegan-Dolan’s MÁM tours to nine venues. David Mead talks to the choreographer to talk about the work
It’s all a very long way from Keegan-Dolan’s stunning and powerful Swan Lake… Abstract to the point of meaninglessness.
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
Drawn from a remarkable 456 artists and companies suggested