Navigating growing up: Jasmin Vardimon Company in ALiCE
A visual treat and the dancing really is fantastic, even if nothing is quite what it seems, and even if it left me not really any the wiser about who Alice is
A visual treat and the dancing really is fantastic, even if nothing is quite what it seems, and even if it left me not really any the wiser about who Alice is
Miriam Konnerth is a sweet-natured Beauty. Gentle and caring, she dances lyrically but with a gently restrained freedom.
Mayerling in London and Paris. “Muntagirov is a rare Rudolph, one whose decline is as agonizingly real as it is exquisitely danced.”
Almost always irreverent and bizarre, sometimes ghoulish, sometimes colourful, often a little surreal, each story is also very human.
It was seriously impressive to see just how far the ideas and pieces had progressed in their few short weeks of development
Tyrone Singleton and Céline Gittens bring elegance and class to Peter Farmer’s Rhineland village, with the final pas de deux the icing on the cake
The excellent Saeka Shirai makes it dramatically clear just how isolated Marilla is. The pain she feels with every step is etched on her whole body.
By reaching toward what is imperceptible, unknown and unseen, Bersani implicates herself in a new and magical form of becoming
A wonderfully varied evening…quite outstanding dancing, rounded off with the fireworks of Uwe Scholz’s The Seventh Symphony
The dance and music seem to be shaped by the surroundings, by the architecture and space around, as well as with each other.
Linbury Theatre, Royal Opera House, LondonOctober 19, 2022 Twenty-one years ago, Cassa Pancho founded Ballet Black with the aim of giving a voice to black and Asian dancers. But as the voiceover to Say It Loud, created by Pancho and the dancers to celebrate the company’s twentieth anniversary, tells us, initially, “No-one really noticed us. … Read more