Thomas Hardy’s masterwork delivered with power and drama. Tess by Ockham’s Razor
A telling that captures beautifully the poetry of Hardy and the depth of the novel. It sweeps you away in its story and characters.
A telling that captures beautifully the poetry of Hardy and the depth of the novel. It sweeps you away in its story and characters.
A somewhat mysterious, weird evening. Dark yet humorous. And, while it has death at its core, perhaps, in its own way, even more a show about life.
The show is colourful, hi-tempo and non-stop. It’s amazing what you can do with a few large boxes, some imagination and a dash of the ‘inner child.’
A sort of Peking Opera meets Bollywood mish-mash, with a generous amount of Shakespeare at its roots
Momoko Hirata and Mathias Digman lit up the stage in the grand pas de deux. ‘Polished’ does not do them justice. Hirata sparkled like a cut diamond
Taking my seat with the real audience, my two grandchildren, the excitement in the auditorium was palpable. It doesn’t disappoint
A collage of recollected impressions and sensations, and to a lesser extent emotions, of the refugee experience
A joyful two hours. Light, entertaining and wonderfully optimistic. And sometimes, that’s precisely what’s needed
The exhibition… certainly whets the appetite for the forthcoming screening of the re-mastered film. What it lacks in quantity, it makes up for in quality
The dancers are talented and committed. They bring to the stage control and technique that contrasts starkly with the chaos the piece portrays.
The most impressive of the works proved to be Daniela Cardim’s unashamedly neoclassical ballet to two of Bach’s harpsichord compositions