Staging Béjart’s iconic Bolero
Ahead of performances by the Bayerisches Staatsballett in Munich, Piotr Nardelli talks about staging the work, and why it is still such a success.
Reviews
Top Hat
Yes, the story is ridiculous… But you still leave the theatre humming those tunes and wanting to see it all over again. Top Hat. Top show.
An Evening with Matthew Ball
“…Resists easy categorisation. Neither performance nor talk, it functions as a self-portrait in transition, part experiment, part public reckoning.”
L’Animale by Chiara Bersani
Curiosity and awe arise while observing this being who appears to be suffering in its own stillness, struggling to get out from an invisible restriction
Ballett Zürich: Oiseaux Rebelles
In Mats Ek’s ballet, Nancy Osbaldeston… was a zesty Carmen. She insists on her freedom, seeing herself as equal with the men
Matthew Bourne’s The Red Shoes
There is a lot of dancing but it does feel like one big number after another at times. And the choreography within them is very busy
Kings International Ballet: The Nutcracker
A rather enjoyable, neatly choreographed, well-danced show… An animated party scene that brims with life, helped by a great deal of dancing
Fiddler on the Roof: a masterpiece and a musical for all times
A wonderful two-and-a-half-hours; a masterpiece of character and storytelling… Great music, great dance… a lot of heart… A show you will not forget.
Mountains and Seas – Song of Today
The ambitions of the creative team are unmistakable, and the sparks within these fragments may yet find a more cohesive form.
ZooNation and hip hop meet Charles Dickens in Ebony Scrooge
The dancing is terrific. Every single member of the cast bursts with energy and athleticism. Everything is so sharp, so precise, it takes your breath away
La Sylphide with the Bayerisches Staatsballett
Keller not only looks like an incarnation of the sylphs in the engravings of the ballet from the Romantic era, she also fills her creature with life