Two cities, three Mayerlings
Mayerling in London and Paris. “Muntagirov is a rare Rudolph, one whose decline is as agonizingly real as it is exquisitely danced.”
Mayerling in London and Paris. “Muntagirov is a rare Rudolph, one whose decline is as agonizingly real as it is exquisitely danced.”
A feast of dance, music and colourful costumes with the added bonus of Madeleine Woo and Dmitry Zagrebin in the roles of Kitri and Basilio
Boosted by visitors from Vienna State Ballet and Stuttgart Ballet, an evening of dance and music of amazing quality and variety
In Grosse Fuge, the boldness of the performers, an equal gender balance in numbers and spirit, aligns perfectly with the power of Beethoven’s score
The new storyline works well for this shorter version of under two hours but Rojo tries to fit in far too much at the expense of phrasing and structure
A look back at the 2021 Czech Dance Platform, which featured 14 productions over three days, plus workshops, forums and discussions
Forsythe’s In the Middle, Somewhat Elevated is a show stopper; choreography and music converging on the cusp of tradition redefining the arts
Hans van Manen’s Grosse Fuge proves convincingly that Beethoven’s music is perfectly suitable for dance
One of those blissful moments when dance, music and design chassé into alignment…a moment of sublime beauty
This unique commingling of poetry, opera by Philip Glass and and circus has created something quite magical
Destined to become a contemporary ballet classic