Finding oneself, finding ‘woman’: Yun Collective’s This is Not a solo dance
In her dance, Ruby Chang talks to herself, questions herself. Is there one ‘woman’ or lots of ‘women’? And, where, what, who is she?
In her dance, Ruby Chang talks to herself, questions herself. Is there one ‘woman’ or lots of ‘women’? And, where, what, who is she?
The ‘spaces’ of the title has a double meaning, however. Suggestions of love and the difficulties of reconnecting are never far away
There are just so many holes in the traditional story. I think there’s so much more that can be done with it. I’m very attracted to the darker side of it.
Björn and Tammisalo have you in the palm of their hands. Every look, facial contortion and raised eyebrow says so much
Internal, spiritual, sensual; a beautiful and mesmeric work of light and dark, or movement and stillness
A fascinating, absorbing 30-minute science meets art solo
A handsome film towards the ‘screendance’ end of the spectrum in which past meets present, traditional meets modern
A largely light-hearted and quirky look at contemporary Paiwan life, although it does have its deeper, more thoughtful moments
“I defy anyone to come out of the theatre not smiling and feeling full of joy; and probably humming the glorious music too”
A dance that doesn’t take itself too seriously, for much of the time at least. But, like the real world, darker things lurk beneath
It’s a courageous film, one that presents a very honest, warts and all view of its subject: darkness as well as light, black swan as well as white swan