Jeffrey Cirio mesmerises in Akram Khan’s dark and chilling Creature for English National Ballet
Pathetic one minute, powerful and determined the next, his Creature is a tortured soul, but one still with feelings
Pathetic one minute, powerful and determined the next, his Creature is a tortured soul, but one still with feelings
With its digital imagery, shape-shifting set and athletic, highly physical choreography, Nobody is spectacular
Eighteen months on from the original planned first night, David Mead talks to the very happy choreographer as Mariposa finally reaches the stage
A disjointed journey through recollections of a life. As Eve, the outstanding Karlina Grace-Paṣeda wanders ghost-like through them
The Fix, brings a complete change. I found it remarkably compelling, Dancers embrace. Touch is tender. Moments hint at love, loss and shared experience
Larsen doesn’t sprinkle her story with sugar or fairy dust. This is ballet as it is; as it really is. I’m not sure I’ve read another book about dance like it.
A deeper, slightly darker look at what is usually a pretty lightweight ballet. A fine production full of energy and brilliant designs
No flocks of white swans and definitely no tutus as Hofesh Shechter, Cayetano Soto and Marco Goecke look at the classic in their own unique style
A show driven by the raw emotion of recent experiences but with an upliftng end. Kevin Finnan promises audiences will relate to what they see and be moved by it
It’s combination of contemporary and traditional; of history, music and movement; is unexpectedly compelling.
A look at transculturation, Pán is superbly danced. The performers come together in a delicious whole