Dickensian delights: Northern Ballet’s A Christmas Carol
The setting may be dreary, but the story is warm, the characters vividly brought to life. Carols, Christmas tunes, fine dance, and a good story.
The setting may be dreary, but the story is warm, the characters vividly brought to life. Carols, Christmas tunes, fine dance, and a good story.
It’s all a very long way from Keegan-Dolan’s stunning and powerful Swan Lake… Abstract to the point of meaninglessness.
Undoubtedly the best production of the ballet in this country by some distance, it’s once again casting its spell over audiences
A super hour or so of theatre, one in which bharatnatyam, kathak and kutiyattam come together with ease
An impressive evening from an impressive company. Aunusthan means celebration’ and the show is certainly that.
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
A compelling exploration that sees two dancers explore the cultural essence of their bodies as they seek to answer the questions, ‘Who am I?’ and ‘Who are we?’
EXIT ABOVE is a theatrical happening but it is the sounds that linger rather than the movements.
The couples were never anything less that absolutely precise and perfectly in sync. It is quite mesmerising. For a while.
A real evening of celebration, one that lifted the spirits and gave much enjoyment.
The guys who make-up the company have a tight, clean, precision to their dancing, which makes for incredible group sequences