International Draft Works
A short evening with plenty of variety, as ten choreographers, mostly still dancers themselves, were given the space to experiment.
A short evening with plenty of variety, as ten choreographers, mostly still dancers themselves, were given the space to experiment.
A great year for Scottish Ballet who were voted Outstanding Company, also picking up two awards for Jess & Morgs’ Coppélia
The Royal Ballet tops the short-list with 14 nominations. English National Ballet and Rambert have seven, and Birmingham Royal Ballet five.
Jess and Morgs’ Coppélia takes a big step away from the usual versions. It’s certainly different and it’s certainly relevant
Christopher Hampson talks about Scottish Ballet’s new Coppélia by Jess and Morgs that premieres at the Edinburgh International Festival
The dramaturgy is excellent. If the success of a ballet is judged by how easy it is to follow without reading the synopsis, it is a winner.
Classical ballet dominates even more than usual, although this is likely a consequence of the unique circumstances of the year.
Starstruck, subtitled ‘Gene Kelly’s Love Letter to Ballet’, is a real delight; a fresh, vibrant ballet full of colour and energy.
Würtz is the first contemporary dancer to win Best Female Dancer. Elsewhere, Cathy Marston’s The Cellist picked up three prizes
Drawn from a remarkable 456 artists and companies suggested
Online December 22, 2020 David Mead Deprived of being able to perform live this Christmas, Scottish Ballet opted not for simply streaming a film of an already in-the-can production, or even for a slimmed-down Nutcracker. Instead, artistic director Christopher Hampson teamed up with designer Lez Brotherston and film-makers Jess and Morgs (Jessica Wright and Morgann … Read more