Birmingham Royal Ballet announces Black Sabbath – The Ballet
Featuring eight Black Sabbath tracks alongside new music, Birmingham rock meets Birmingham ballet this autumn. Choreography by Pontus Lidberg
Featuring eight Black Sabbath tracks alongside new music, Birmingham rock meets Birmingham ballet this autumn. Choreography by Pontus Lidberg
With some of Bourne’s best choreography in the detail of the variations, the passion of the duets and strong ensemble numbers.
Goes far deeper than the spectacular or technique for technique’s sake. One comes out feeling awed and moved
Perhaps only a giant of choreography such as Mats Ek could so successfully pull off a reboot of such a familiar subject as The Rite of Spring
A visual treat and the dancing really is fantastic, even if nothing is quite what it seems, and even if it left me not really any the wiser about who Alice is
The extended version has kept the upbeat, uplifting feel of the original, with the nature of the music is as important as ever, she says
Almost always irreverent and bizarre, sometimes ghoulish, sometimes colourful, often a little surreal, each story is also very human.
In conversation with the choreographer’s assistant, Cora Bos-Kroese, ahead to the company’s first ever staging of a Kylián work
A conversation with choreographer Morgann Runacre-Temple and BRB principal dancer Tzu-Chao Chou
Another de Keersmaeker ride and a half. Full of questions, many unanswered. Which is why I, and I imagine many others, keep returning
Their en travesti brand of ballet humour, poking affectionate, gentle fun at traditions and stereotypes, still makes for an amusing, enjoyable evening