The Australian Ballet: Cranko’s Romeo and Juliet
An excellent production, including the wonderful Stephen Heathcote as Lord Capulet.
An excellent production, including the wonderful Stephen Heathcote as Lord Capulet.
Linbury Theatre, Royal Opera House, LondonOctober 19, 2022 Twenty-one years ago, Cassa Pancho founded Ballet Black with the aim of giving a voice to black and Asian dancers. But as the voiceover to Say It Loud, created by Pancho and the dancers to celebrate the company’s twentieth anniversary, tells us, initially, “No-one really noticed us. … Read more
It looks insanely beautiful. Pite’s choreography ebbs and flows again and again as it sweeps across the stage to Górecki’s evocative music
“It all began with a dream, I guess,” says Putrov, who explains that then, as now, the idea was to showcase the development of men in ballet
Five dancers attempt to achieve perfect form, represented by Leonardo da Vinci’s Vitruvian Man while interacting with colourful Mondrian-like objects
In conversation with the choreographer’s assistant, Cora Bos-Kroese, ahead to the company’s first ever staging of a Kylián work
A conversation with choreographer Morgann Runacre-Temple and BRB principal dancer Tzu-Chao Chou
Full of familiar moments and familiar characters in familiar settings, and sometimes surprisingly deeply thoughtful
The costumes are extraordinary, among the most striking and unusual ever conceived. Even a hundred years later, they look strangely futuristic.
Old traditions – dance, music and kanthas – are used in new ways to express the very modern experiences of Asian women during the pandemic
Three works themed on war, hope and power, the earliest, Kurt Jooss’ The Green Table from 1932, as perennial as war itself