An epic voyage: Zephyr by Mourad Merzouki and Compagnie Käfig
Dance at its very best. A fabulous, fabulous seventy minutes of marvellous theatre. A real spectacle that holds you from start to finish
Dance at its very best. A fabulous, fabulous seventy minutes of marvellous theatre. A real spectacle that holds you from start to finish
Trumps both The Royal Ballet and the English National Ballet’s traditional Christmas Nutcrackers… a Christmas fairytale like no other
The highlight of the evening was Vittoria Girelli’s Sospesi, an effective visualisation of ideas and coming together of music and movement
A hugely enjoyable interpretation told with lots of imagination. A convincing telling that sends you away with a big, happy smile
A fine showcase of young talent including Heinz Bosl Prize winner Serhii Zharikov with Kaela Tapper in Uwe Scholz’s sublime Sonata
Silent Screen and Schmetterling sit together comfortably, sharing Lightfoot and Léon’s distinct movement vocabulary and strong sense of theatricality
Dedicated to a dear departed friend, the work developed out of the loss and dismay he went through after her death
Prelocaj deals with love and attraction, sexual desire and seduction. It’s very much a ballet of suggestion, of desire that’s only realised in Act III
The total commitment of the dancers produces a torrid intensity that sears across the footlights.
Proximity was highlight of the second half. Choreographed and performed by Pett|Clausen-Knight, it is a mature, sophisticated duet
I have rarely seen choreography that speaks a message so clearly, so profoundly, and so directly.