Fall for Dance Programme 2: Dog Rising, Resurrection, Impasse
A stamina-sapping piece by Clara Furey/Bent Hollow, Memphis-Jookin from Charles ‘Lil Buck’ Riley, and Johan Inger’s weird and wonderful Impasse
A stamina-sapping piece by Clara Furey/Bent Hollow, Memphis-Jookin from Charles ‘Lil Buck’ Riley, and Johan Inger’s weird and wonderful Impasse
The quality of the dancing was excellent, with the men out-performing the women in cleanness of lines, and wonderfully precise syncopation
From the outset the piece establishes a dissonant texture, as if pulling the audience into the fissure of a dream
An hour of monologue, interspersed with freestyle dance routines but does feel like a set of unconnected routines rather than a single dance work.
Square Dance, bright and playful; Episodes, cool, detached and often regarded as Balanchine at his most abstract, and the fun Western Symphony
A well-balanced triple bill of a MacMillan classic, a European premiere from director, Cathy Marston, and a brand new commission from Bryan Arias.
Set against a backdrop of the trenches and images of men going ‘over the top’, it remains incredibly haunting. The audience was totally rapt.
It was a truly joyous few hours. Performances from BH2, salsa and merengue sessions for everyone, live music from the terrific Tempo Alegre…
London audiences will get a chance to see Juilliard students next year as the school has joined forces with the Rambert School in a year-long collaboration
The show draws on multiple art forms, being at least as much about fashion, visuals and music as the choreography; perhaps more so
The mesmeric, swooping, sweeping beauty of a murmuration in the soft light of sunset is reduced to that of automatons