UK 70 - SeeingDance

Tuesday, 23 June, 2026

Feeling their pain: Lost Dog’s Juliet & Romeo

June 23, 2026June 19, 2019 by David Mead

Dance theatre at its very best

Taut drama: Ballet Black in The Suit and Ingoma

June 23, 2026June 18, 2019 by David Mead

Sayaka Ichikawa compelling as Matilda

Didy Veldman’s Sense of Time shakes up Birmingham Royal Ballet

June 23, 2026June 14, 2019 by David Mead

Modern, innovative

Stylish modernism: San Francisco Ballet in Wheeldon, McIntyre and Dawson

June 23, 2026June 10, 2019 by David Mead

Stylish modernism

A magical fantasy: English National Ballet in Christopher Wheeldon’s Cinderella

June 23, 2026June 9, 2019 by David Mead

Beautifully reimagined

Hummingbird soars: San Francisco Ballet in Welch, Scarlett and Peck

June 23, 2026June 8, 2019 by David Mead

Utterly compelling

San Francisco Ballet in Liang, Marston and Pita

June 23, 2026June 3, 2019 by David Mead

Pure dance, high drama, and breakout madness

A thrilling start for San Francisco Ballet with Alexei Ratmansky’s Shostakovich Trilogy

June 23, 2026May 31, 2019 by David Mead

Delving into the soul of modern Russia

Scottish Dance Theatre in Ritualia and The Circle

June 23, 2026May 27, 2019 by Róisín O'Brien

A new take on Stravinsky’s Les Noces

Compelling: TAO Dance Theatre in 4 & 9

June 23, 2026May 27, 2019 by David Mead

Magic in numbers

New works, new contexts: Scottish Ballet’s Digital Season

June 23, 2026May 24, 2019 by Róisín O'Brien

Films, live streams and ‘digital experiments’