Ballet Central 2019 finishes on an exuberant high June 23, 2026July 30, 2019 by David Mead Ballet meets circus in Carousel Dances
A dystopian world, compulsive viewing: Parts of Love by Sharon Eyal, Gai Behar & L-E-V June 23, 2026July 29, 2019 by David Mead Bleak and up-to-date
Feeling good: The Royal Ballet School Summer Performance June 23, 2026July 23, 2019 by David Mead The pride and joy of shared company spirit
Casting a delicate spell: Dream Ritual June 23, 2026July 11, 2019 by David Mead Clockwork precision, constant innovation
English National Ballet School Summer Performance June 23, 2026July 10, 2019 by David Mead Chloe Keneally shines
Gravity & Gibbon: Motionhouse and Gandini Juggling June 23, 2026July 2, 2019 by David Mead A wonderfully entertaining double bill
They’re back and better than ever: Giffords Circus in Xanadu June 23, 2026June 29, 2019 by Charlotte Kasner Stunning theatricality
David Bintley’s Birmingham farewell June 23, 2026June 25, 2019 by David Mead Saying goodbye with the most English of ballets
Into the darkest recesses of the mind: Natalia Osipova in The Mother June 23, 2026June 22, 2019 by David Mead Utterly compelling
A sparkling David Bintley classic: Birmingham Royal Ballet in Hobson’s Choice June 23, 2026June 20, 2019 by David Mead A very English ballet