The urgency to live: Léa Tirabasso’s Starving Dingoes
Although human, there is an animalistic element to much of the choreography, which has a primitive feel to it.
Although human, there is an animalistic element to much of the choreography, which has a primitive feel to it.
It remains an unparalleled piece exploring relationships between the sexes…full of ideas and observations that have not lost their brilliance.
The programme brims with life and love of dance. It has broad-based audience appeal with plenty of virtuosity, competition and depth.
An evening out, but with an evening in feel. It’s cosy and comfortable. Dance and a story to curl up with, that makes you laugh, that makes you feel.
Amid the humour, there is an unexpected poignancy to Yukon Ho! that makes it a meaningful hour or so and gives much pause for thought
It’s full of very appealing pictures but is in many ways an old-fashioned ballet in that most of the dance is incidental rather than integral to the story
As if the juggling wasn’t skilful enough, fiendish ports de bras and footwork are built up ball by ball. I can’t help thinking Merce would have approved.
It turns the black box theatre space into a universe of imaginative ideas… a thoroughly enjoyable journey
Erina Takahashi and Francesco Gabriele Frola were an elegant pair in the big Act II pas de deux, where the ballet truly burst into glittering life
The hardcore centre of the work is played out on the battlefield but it is bookended by more profound moments of birth and something of a rebirth.
At this time of heightened awareness of our environment and mortality, Xenos proves indisputably that art is what makes us human