Tanz im August: from dance manias to Northern Ireland society and Zulu rickshaw drivers
Featuring Oona Doherty’s ‘Navy Blue’, Robyn Orlin’s ‘We wear our wheels with pride…’, Mette Ingvartsen’s ‘The Dancing Public’ and more
Featuring Oona Doherty’s ‘Navy Blue’, Robyn Orlin’s ‘We wear our wheels with pride…’, Mette Ingvartsen’s ‘The Dancing Public’ and more
The pearl of the week was undoubtedly Sonoma by La Veronal, a surreal work full of captivating images, beauty and strength
A fine programme that reflected well the dancers’ classical training, and the School and Stuttgart Ballet heritage
A long evening with some of the best dance on the planet and memorable performances
Lave appears as a strong yet endangered being of some sort. Her focus is engaged, her stage presence self-assertive and impactful
The impressive level of detail helps the viewer perceive the pain caused by the unspeakable and claustrophobic realm we see
No flocks of white swans and definitely no tutus as Hofesh Shechter, Cayetano Soto and Marco Goecke look at the classic in their own unique style
In ‘remains’, time passes normally but also appears to freeze, quicken, expand and slow down, repeat, reverse, even disappear
New and unusual outdoor venues, theatres, and unconventional, industrial buildings made the festival a sort of a treasure hunt
From highly controlled movements, often on one leg, he dance detonates into raging, rave-like moments
Rotem and Laubscher underline the necessity of the arts, most of all, the strong need to dance as a liberating and healing response