A picture of people who breathe and feel, suffer and love: Jiří Kylián’s Forgotten Land comes to Birmingham Royal Ballet
In conversation with the choreographer’s assistant, Cora Bos-Kroese, ahead to the company’s first ever staging of a Kylián work
In conversation with the choreographer’s assistant, Cora Bos-Kroese, ahead to the company’s first ever staging of a Kylián work
A conversation with choreographer Morgann Runacre-Temple and BRB principal dancer Tzu-Chao Chou
The costumes are extraordinary, among the most striking and unusual ever conceived. Even a hundred years later, they look strangely futuristic.
Some great shows, but visitors down. The soaring cost of accommodation, which has long been a problem but it is starting to get acute
A conversation with Jasmin Vardimon about her new production, ALiCE, and a look at her company’s fabulous new creative hub in Ashford, Kent.
Christopher Hampson talks about Scottish Ballet’s new Coppélia by Jess and Morgs that premieres at the Edinburgh International Festival
“Trying to expand the range of work, having a whole range of experiences that pushes the art form forward, I think is crucial to us going forward.”
A conversation with New English Ballet Theatre founder and artistic director Karen Pilkington-Miksa about the company’s summer 2022 season.
Looking ahead to their appearance at Let’s Dance International Frontiers 2022, Artistic Director Eduardo Vilaro talks about the company and its work
This year, Stre@m will focus on work from Singapore, Indonesia, Thailand and South Korea, but he hopes more Asian countries will join next year.
A look ahead to LDIF 2022 in Leicester, with Pawlet Brookes, CEO and Artistic Director of presenters Serendipity