Memories, energy, feelings. Shanghai-based Xie Xin on choreography, Ripple and the BalletBoyz
“I want the audience to see themselves. Sometimes memories hit us…creating ripples.” It’s the heart that makes a piece come alive, she adds.
“I want the audience to see themselves. Sometimes memories hit us…creating ripples.” It’s the heart that makes a piece come alive, she adds.
An in-depth survey shows touring dance to small local venues is alive and well, and loved by practitioners and audiences alike.
Maggie Foyer attended the launch of the new Affiliate Training and Assessment Programme in mid-February and now casts her eye over it.
It’s impossible not to miss the energy and enthusiasm as the 250-plus participants rehearse the spectacular, free opening show of the festival
Richard Chappell’s Infinite Ways Home resumes touring in March. David Mead caught up with him to discuss the piece, and his approach to dance
“I wanted to get underneath everything; to get into Lucie, the central female character, and ask what is going on for her.”
The new Affiliate Training and Assessment Programme gives dance teachers responsibility for guiding and assessing their own students’ learning
A look at BRB’s Dance Track as it celebrates its 25th anniversary, events to include a celebratory performance in Birmingham in May
The show’s title work is a dance theatre tale of love, tragedy and revenge, set in a place where our phantoms roam free
The European Dance Hackathon: about thinking about the dance of tomorrow; to imagine the future of dance by combining it with new technologies
The new Awakenings programme features four works by McNicol himself, all inspired by music, among them a brand-new, reimagined version of Firebird.