London Children’s Ballet in Ella’s Big Chance: A Jazz Age Cinderella
Kristen McNally’s choreography tells the story clearly, making the most of each dancer’s abilities. The ensemble dances are delightful too.
Kristen McNally’s choreography tells the story clearly, making the most of each dancer’s abilities. The ensemble dances are delightful too.
Kristina Paulin’s ‘Das Schloss’, a ballet version of Kafka’s unfinished novel, Raimondo Rebeck’s Journey of a Memory, and Mauro Bigonzetti’s Cantata
During the show itself, there’s a lot of smiling, irreverence and poking fun at each other. It almost feels like play. You just know they are having a good time
Here was dance of every shade… and all with not so much a smile on its face as a huge grin
Lines and patterns form, break and reform anew, Feet stomp arms whirl, torsos arc backwards… As the tension builds, the power of the group is tremendous
Carousel, Allegro, Oklahoma! A fine evening, full of variety, colour and wonderful dance; a couple of hours to put a smile on anyone’s face
The company presented four works with a reconstruction of Frederick Ashton’s early Foyer de Danse that held the most interest.
David Mead looks ahead to a Cinderella with a twist and talks with dancers Gina Harris-Sullivan and Toby Gray .
But while Elements of Freestyle is full of thrills and tricks, perhaps its biggest trick of all is that it is so well-paced. Plus Asylmottaket and more
There’s no overall plot. The focus is rather on creating a world, painting pictures, of time, place and people, all of which he does superbly
A well-curated programme that showcased the dancers’ skills well, culminating in Jerome Robbins’ American classic, Interplay