National Ballet of Japan: Giselle
The ballet adheres to the traditional, leaving the surprises and delight in the quality of performance from the dancers.
Giselle
English National Ballet: Akram Khan’s Giselle in Taipei
Erina Takahashi remains a dancer and actor par excellence. There were excellent performances all round in Taipei, but it was very much her evening.
New works and popular revivals: The Royal Ballet 2025-26
World premieres by Wayne McGregor, Cathy Marston, Akram Khan, León-Lightfoot, and a first Royal Ballet presentation by NYCB’s Justin Peck
English National Ballet 2025-26 Season
The company are set to perform works by Martha Graham and Crystal Pite, a new ballet by Kameron N. Saunders, and some old favourites
Spirits of the Ballet in Giselle and La Sylphide
Ballet workshops for adults seem to have fallen by the wayside rather in England. But at the Bayerisches Staatsballett in Munich they are going strong. On a Saturday evening in February, Jeannette Andersen joined one such. Half-an-hour before the workshop began, the 18 participants, one man and 17 women of various ages, slowly trickled into … Read more
Think you know these classic ballets well? Think again.
“A page-turningly good read” as “Fullington and Smith… invite the general and specialist reader alike to rethink nineteenth-century ballet.”
English National Ballet: Giselle
The happy grins and overheard comments during the interval told you all you needed to know. Mary Skeaping’s Giselle is wonderful, a real gem.
Staatsballett Berlin: Giselle
When the assured Riho Sakamoto first stepped out of her home as Giselle, she didn’t so much skip round the stage as fly.
Giselle debuts
Ahead of their debuts as Akram Khan’s Giselle, ENB’s Francesca Velicu and Ivana Bueno spoke to Maggie Foyer about getting into the role.
Compelling: Akram Khan’s Giselle
Erina Takahashi brought to her rendition of Giselle, a delicacy, intimacy, and freshness… searing dramatisation of the doomed woman
Staatsballett Berlin: Giselle
This performance of Patrice Bart’s Giselle was special in that it saw Ksenia Ovsyanick dance the lead role for the last time