Acceptance, conflict, construction, destruction: Exit by Gu Jiani (古佳妮《插銷》)
The performers and designs are excellent
Bolshoi Ballet in Cinema: terrific acting and dancing in The Taming of the Shrew
Krysanova is outstanding, a whirlwind of anger that dissolves into plaint sensuality
To Grin Like a Cheshire Cat (70種笑): revealing the truth behind laughs and smiles
The cast of five were all rather impressive as they pulled back the curtain
L-E-V explore compulsive obsession in OCD Love
Really striking is the accuracy and quality of the dancers
First commissions announced in Ballet Now talent development programme
Two new one-act ballets per year for five years
A dark fairy, satyr and other animals: Birmingham Royal Ballet at Sadler’s Wells
One waits for ages, then two Baiser de la fées come along at once.
