An intimate delve into Soho’s underbelly: Matthew Bourne’s The Midnight Bell
The world of showbiz falls away and the dancers present the fragmented tales that lurk in Soho’s underbelly
The world of showbiz falls away and the dancers present the fragmented tales that lurk in Soho’s underbelly
With Momoko Horata and César Morales. BRB did the ballet proud, dancing finely and making the spine tingle in all the right places.
A double bill of works startlingly new, meticulously structured given in performances that were exhausting, amazing and entertaining
Six dancers in bright red rise out of a sea of pews, folding backwards: a bird’s eye view of six women sleeping
Fraud, femme fatale or fallen star? In many ways, dancer and impresario Ida Rubinstein was all three as Christian Holder’s play confirms
Magical special effects, super designs, and a dragon everyone will love. Following the story is a little tricky though
Pathetic one minute, powerful and determined the next, his Creature is a tortured soul, but one still with feelings
With its digital imagery, shape-shifting set and athletic, highly physical choreography, Nobody is spectacular
Engaging and highly enjoyable. Avoid the words, enjoy the dance and never underestimate the fun factor!
My experience was one of seesawing emotions: excitement and embarrassment, exhilaration and awkwardness
An evening to celebrate: the traditions of classicism driven forward by innovation, and free to watch on demand