Promise unfulfilled: Stopgap’s The Enormous Room
The premise is good but some judicious rewriting required
The premise is good but some judicious rewriting required
A feast of world dance embracing all styles: fresh, fascinating and fabulous fun
Annabelle Lopez Ochoa’s Red Riding Hood is a ‘coming of age’ work for the company
A bijou venue, five exceptional artists, four of his finest small works, effective design and music
Works by Marco Goecke, Crystal Pite and Lightfoot-León in a strong triple bill
Lyric Theatre, Hong Kong Academy for the Performing Arts February 21, 2017 David Mead It opens with Sinthia Liz, a porcelain ballerina with an upturned rainbow saucer for a tutu. That’s the first of a series of weird and wonderful costumes including tutus of golden, hooped wire, concertinaed material and coloured balls. Another dancer looks … Read more
Two programmes of new and revived works, including David Dawson’s new Citizen Nowhere
Ryzhkova was as divine as a bayadère should be; lovely arms, beautiful technique and she makes you want to watch
The audience was left in limbo wondering whether it was funny or something else