Energy and colour from Cloud Gate 2
Beckoning is a dance that’s colourful in just about every possible way
Reviews
A magnificent theatrical evening: Akram Khan’s Giselle
It delivers on every level, as do the company who fully engaged both physically and emotionally
What is happiness? Umanoove/Didy Veldman’s The Happiness Project
Packed with fabulous and absorbing dance as Veldman and her outstanding cast explore ideas of happiness
The Royal Swedish Ballet recreate Bournonville’s Ponte Molle
Bournonville returns to his beloved Italy for a light-hearted love story and, naturally, an excuse to dance.
Questions of identity to the fore in Quang Kien Van’s Lunar Shadows
Questions of identity and belonging give plenty of food for thought.
A revisioned and meaty Don Quixote from the Semperoper Ballet
A revisioned plot now offers five meaty principal roles, generous in both dance and characterisation.
Quint-essential, five new ballets from New English Ballet Theatre
Peacock Theatre, London November 9, 2016 Charlotte Kasner It may seem like an odd choice to open a programme with a piece about falling asleep but Marcelino Sambé’s Land of Nod piques the interest throughout. He sets some fiendish choreography for his dancers and the combination of music by Nathan Halpern and Yann Tiersen, and … Read more
Yao Jin’s Marguerite charms: Hong Kong Ballet in Lady of the Camellias
With its sensual angst and tormented passion, Lady of the Camellias makes for a perfect ballet. In theory.
Wiener Staatsballett: Balanchine, Liang, Proietto
Liang’s Murmuration suits the company to perfection
Dance and digital technology in Alexander Whitley’s Pattern Recognition
The concept is not without interest, but this is a long 55 minutes