Ballet Icons 20th Anniversary Gala
Somewhat more classical than previous years, the standard of dancing was sans pareil. Just what the doctor ordered.
Somewhat more classical than previous years, the standard of dancing was sans pareil. Just what the doctor ordered.
Nuñez’s Giselle looks unusually light within this world. Her peasant dancing is clean and loose, its ease producing flow rather than force
An evening that reflected how contemporary choreography increasingly extends beyond movement into installation, ecology, costume and multimedia
Seventy minutes of scenes that poke fun at and parody dance in all its forms, although there are a couple of very poignant moments in there too
The young classical ensemble led by Marika Brussel and Richard Bermange return with three ballets that reimagine history and Jewish narratives
A varied selection of choreographic voices… Every work showed a different sense of direction, whether through ideas, energy or physical presence
An evening that brought together well-known names and Ballet Nights favourites, and featured the UK debut of Mexico’s Ballet de Monterrey.
The three performers are quite superb. They manipulated the audience to perfection, taking us from crying with laughter, to laughing through tears…
A very appealing and always engaging 55-minute look at what it really takes to work creatively with another person
Across both evenings, dialects shifted quickly, textures changed sharply, and technique kept surfacing as a through-line.
About HIV/AIDS, Tell Me certainly leaves its mark. For all its difficult subject matter, it’s also a work that’s warm and full of hope and optimism.