Germany
Tanztheater Wuppertal re-stages Pina Bausch’s The Piece with the Ship
Despair, solitude and collective reminiscence
Kylián and Petit: Stuttgart Ballet in Angels and Demons
Falling Angels, Petite Mort and Le Jeune Homme et la Mort
Ballet of Difference in Richard Siegal’s All for One and One for the Money
Dance just one of the choices on multiple screens
Stuttgart Ballet: Response II, ‘Young Bloods’
Reflections on experiences of the past few months are common
Hamburg Ballett in John Neumeier’s Ghost Light: A Ballet in the Time of Corona
Finely crafted episodes…a tribute to Neumeier’s mastery
Live dance and pause for thought in Berlin: Pau Aran and Martha Hincapié Charry at Plataforma 2020
An enriching experience that gave space to learn, reflect and engage
Charged and taut: Stuttgart Ballet in Louis Stiens’ Messenger
Fluid floorwork combined with balletic precision
A ballet about friends and a Stuttgart classic: John Cranko’s Initials R.B.M.E.
Online May 14, 2020 David Mead John Cranko may be best known for his story ballets, but he created some classic plotless pieces too, none more so than Initials R.B.M.E., his tribute to four dancers who achieved a permanent place in a ballet history as he turned Stuttgart Ballet into a major international company: Richard … Read more