David Mead
Dancing at Dusk: A moment with Pina Bausch’s The Rite of Spring
The tension between the sexes seems heightened on the windswept sands
Sleek and perfectly fashioned: Birmingham Royal Ballet in Stems by Kit Holder
Full of muscular long lines
Charged and taut: Stuttgart Ballet in Louis Stiens’ Messenger
Fluid floorwork combined with balletic precision
New York City Ballet cancels Nutcracker
The show is the company’s most lucrative ballet, earning over $15 million annually
Impressions of Lorca’s The House of Bernarda Elba: Waiting for Pepe by Carlos Pons Guerra
Repression, conformity and suppressed desire
Stuttgart Ballet and Gauthier Dance announce plans as live dance returns to the city
A new mixed programme in July in the Opera House, with an audience