Memories real and invented: Rambert2 in Note To Self
A disjointed journey through recollections of a life. As Eve, the outstanding Karlina Grace-Paṣeda wanders ghost-like through them
David Mead
Hofesh Shechter Company: Double Murder
The Fix, brings a complete change. I found it remarkably compelling, Dancers embrace. Touch is tender. Moments hint at love, loss and shared experience
The story of an ‘everyday ballerina’: Being a Ballerina by Gavin Larsen
Larsen doesn’t sprinkle her story with sugar or fairy dust. This is ballet as it is; as it really is. I’m not sure I’ve read another book about dance like it.
A ballet favourite remixed: KVN Dance Company’s Coppélia
A deeper, slightly darker look at what is usually a pretty lightweight ballet. A fine production full of energy and brilliant designs
New views of a classic: Swan Lakes by Gauthier Dance
No flocks of white swans and definitely no tutus as Hofesh Shechter, Cayetano Soto and Marco Goecke look at the classic in their own unique style
Viewing the human condition through the lens of recent events: a look ahead to Motionhouse’s new show, Nobody
A show driven by the raw emotion of recent experiences but with an upliftng end. Kevin Finnan promises audiences will relate to what they see and be moved by it
An ancient story brought to vivid life: Gayatri
It’s combination of contemporary and traditional; of history, music and movement; is unexpectedly compelling.
Captivating dance from Singapore: T.H.E Dance Company in Pán
A look at transculturation, Pán is superbly danced. The performers come together in a delicious whole
Finding oneself, finding ‘woman’: Yun Collective’s This is Not a solo dance
In her dance, Ruby Chang talks to herself, questions herself. Is there one ‘woman’ or lots of ‘women’? And, where, what, who is she?
Spaces Between Us and Satori by Lewis Major
The ‘spaces’ of the title has a double meaning, however. Suggestions of love and the difficulties of reconnecting are never far away
A darker, deeper take on a classic: Kevan Allen’s Coppélia
There are just so many holes in the traditional story. I think there’s so much more that can be done with it. I’m very attracted to the darker side of it.