Genuinely original: Igor and Moreno’s A Room for All Our Tomorrows
Simple, charming, unaffected… Unpretentious, minimal yet lush
David Mead
Lingering emotions: Company Chameleon in Witness
An intensely personal statement, drawing on experience
Cloud Gate 2’s Spring Riot
Artistic director Cheng Tsung-lung (鄭宗龍) turns to three young choreographers
The Legend of Mulan comes to London
The Hong Kong Dance Company is bringing the famous Chinese story to London’s Royal Festival Hall
MK ULTRA: Bold new dance exploring mind control and the illuminati from Rosie Kay
Dancers explore Kay’s ideas with a rare technical virtuosity that is jaw-droppingly good
Of faces and clothes: Maguy Marin’s Singspiele
Interpreter David Mambouch is alone on stage save for a variety of clothes, male and female, and a pad of headshots
Starkly beautiful pictures in The Eternal Tides by Legend Lin Dance Theatre
Lin draws local and national culture and an overwhelming sense of ritual into her dance
Lin Chun-yu: Here I love you
Picnic, a duet danced beautifully on a patch of synthetic grass amid a sea of opened black umbrellas
Hot, hot, hot! Tavaziva in Africarmen
A take on the story that’s as fresh as post-drought grass on the veldt for this spot-on company
Company Wayne McGregor and Paris Opera Ballet in Tree of Codes
McGregor’s company dancers were on brilliant form, in choreography that stretches them to the limit