Akram Khan’s Giselle: a ballet about being moved
Even the afterlife offers no freedom, only a different choreography of obedience. In this Giselle, death is not release. It is relocation.
Day: 16 January 2026
Resolution 26: Megan Westpfel Co, Wild Guess and Ming-Chin Hsieh
Some works appear fully formed, while others feel provisional, still in dialogue with larger ideas yet to come… energy emerges as a shared currency